Wires. In Beirut, you live with them. No getting around it. Might as well line them up, compose them as part of your image.
It's just that sometimes, I wish I didn't have to.
31.1.12
30.1.12
29.1.12
To Read
I should read photos the way other people read palms. I'd look at the lines, study the wrinkles and recesses. Feel the texture, consider the pliability and color of it.
I wouldn't forget proportion or scale or relative flatness or roundness. I'd read that photo carefully, slowly, looking for signs and warnings, ominous forbiddings and hopeful protections.
And after contemplating it long enough, I'd tell you exactly what it means.
I wouldn't forget proportion or scale or relative flatness or roundness. I'd read that photo carefully, slowly, looking for signs and warnings, ominous forbiddings and hopeful protections.
And after contemplating it long enough, I'd tell you exactly what it means.
28.1.12
With This Place
27.1.12
If Beirut Were Monte Carlo
I have a favorite daydream that I sink into fairly often. It goes like this: to further establish the city as a player in the big-leagues of international tourism and consumption, the powers that be decide to host an annual Formula One Grand Prix in Beirut. In my daydreams the race would be like the one in Monte Carlo--right in the city, a road race. It would be nothing like Bharain's middle-of-nowhere boring track. Of course, the race would have to include this stretch along the corniche:
And the route should include the reclaimed land to the north of Downtown. There's plenty of open space out there for pit crews.
And the route should include the reclaimed land to the north of Downtown. There's plenty of open space out there for pit crews.
26.1.12
Beneath the Wires
25.1.12
Going My Way
24.1.12
Aged and Worn
There's a store in Clemenceau called Metal and Wood where they sell furniture, chairs, accessories for the home. These items are imported from India, and all of them have amazing colors, paint in layers applied and then sanded away, distressed, applied again, finished beautifully. They look aged and worn. Maybe they are. And I love what I've seen there.
This window reminded me of it.
23.1.12
When the Rain Stopped
22.1.12
21.1.12
Order
I like order, orderliness, organization. I derive immense satisfaction from sorting, arranging, de-junking, tidying up, stowing away, and throwing things out. I like efficiency, cleanliness, rationality and functionality. I like streamlined, ergonomic, well-thought out design.
That's real life stuff. When it comes to photos, I might like anything.
And it turns out I do.
That's real life stuff. When it comes to photos, I might like anything.
And it turns out I do.
20.1.12
19.1.12
Go Ahead
It's a green light, go ahead. Walk.
The red caught my eye, flat and solid and dirty. I wasn't thinking of the contrast with the leafy green trees, but in the photo it's so obvious. That solitary hanging bulb tugs at me for no rational reason at all. And what about the paint white and peeling, and corbels curving along on their way?
It feels good to share this photo. I like it better thinking that now, someone else might like it too.
The red caught my eye, flat and solid and dirty. I wasn't thinking of the contrast with the leafy green trees, but in the photo it's so obvious. That solitary hanging bulb tugs at me for no rational reason at all. And what about the paint white and peeling, and corbels curving along on their way?
It feels good to share this photo. I like it better thinking that now, someone else might like it too.
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