2.2.12
The Perfect Yellow
A few years ago I had paint chips propped up on the window ledge in my living room. All of them within a few shades of this:
I was looking for the perfect yellow, something like an orange tinged lemon or a really yellowy butter or an egg tart if you bumped up the saturation.
1.2.12
31.1.12
Live With It
30.1.12
29.1.12
To Read
I should read photos the way other people read palms. I'd look at the lines, study the wrinkles and recesses. Feel the texture, consider the pliability and color of it.
I wouldn't forget proportion or scale or relative flatness or roundness. I'd read that photo carefully, slowly, looking for signs and warnings, ominous forbiddings and hopeful protections.
And after contemplating it long enough, I'd tell you exactly what it means.
And after contemplating it long enough, I'd tell you exactly what it means.
28.1.12
With This Place
27.1.12
If Beirut Were Monte Carlo
I have a favorite daydream that I sink into fairly often. It goes like this: to further establish the city as a player in the big-leagues of international tourism and consumption, the powers that be decide to host an annual Formula One Grand Prix in Beirut. In my daydreams the race would be like the one in Monte Carlo--right in the city, a road race. It would be nothing like Bharain's middle-of-nowhere boring track. Of course, the race would have to include this stretch along the corniche:
And the route should include the reclaimed land to the north of Downtown. There's plenty of open space out there for pit crews.
26.1.12
Beneath the Wires
25.1.12
Going My Way
24.1.12
Aged and Worn
There's a store in Clemenceau called Metal and Wood where they sell furniture, chairs, accessories for the home. These items are imported from India, and all of them have amazing colors, paint in layers applied and then sanded away, distressed, applied again, finished beautifully. They look aged and worn. Maybe they are. And I love what I've seen there.
This window reminded me of it.
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